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Sweetpea Path

...another place to wander around Welcome to my virtual notebook, a place for keeping some things I don't want to forget... A visual wall of inspiration for thought gathering. My heartfelt thanks to all who have contributed here, for this notebook would be empty without you.

Posts tagged textiles:

thatshouldbemine:

Boro Futon Covers

Boro is a Japanese word meaning “tattered rags” and it’s the term frequently used to describe lovingly patched and repaired cotton bedding and clothing, used much longer than the normal expected life cycle. Like early North American patchwork quilts, boro textiles revealed much about the Japanese family’s living standards and the nature of the economy of their time. 
The penny-wise Japanese rural wife repaired the family’s sleeping futon covers again and again by “boro” patching fabric scraps over thin areas and holes in the fabric. Adding sashiko sewing to the repair gave greater strength to the material. Today international collectors regard boro textiles as uniquely Japanese and striking examples of a bygone and lost folk craft.  The same sewing technique that was used to repair boro futon covers was also put into practice when repairing noragi (farm clothing). This was done in order to increase the lifespan of the clothing.
At a time when Japan was struggling to recover from the devastation of the second World War, the Japanese regarded boro textiles with great shame. These utilitarian textiles served as an open reminder of Japan’s impoverished past. Now these same textiles are cherished and collected for the stories they tell and the windows they open into Japanese folk culture and history.

thatshouldbemine:

Boro Futon Covers

Boro is a Japanese word meaning “tattered rags” and it’s the term frequently used to describe lovingly patched and repaired cotton bedding and clothing, used much longer than the normal expected life cycle. Like early North American patchwork quilts, boro textiles revealed much about the Japanese family’s living standards and the nature of the economy of their time. 

The penny-wise Japanese rural wife repaired the family’s sleeping futon covers again and again by “boro” patching fabric scraps over thin areas and holes in the fabric. Adding sashiko sewing to the repair gave greater strength to the material. Today international collectors regard boro textiles as uniquely Japanese and striking examples of a bygone and lost folk craft.  The same sewing technique that was used to repair boro futon covers was also put into practice when repairing noragi (farm clothing). This was done in order to increase the lifespan of the clothing.

At a time when Japan was struggling to recover from the devastation of the second World War, the Japanese regarded boro textiles with great shame. These utilitarian textiles served as an open reminder of Japan’s impoverished past. Now these same textiles are cherished and collected for the stories they tell and the windows they open into Japanese folk culture and history.

(via ragzandbonez)

whitehotel:

Sergej Jensen, Untitled (2011)

whitehotel:

Sergej Jensen, Untitled (2011)

(via destina-terre)

jennifercoynequdeen:

hanging in the studio, april 26, 2012
jennifer coyne qudeen

jennifercoynequdeen:

hanging in the studio, april 26, 2012

jennifer coyne qudeen

(via rawveganani)

meadowood:

Verity by Doeki on Flickr.
Mixed Media7 x 5Catherine L. Mommsen2011
Linen, canvas, gauze, muslin, handmade beads, acrylic, ink, embroidery, beading.

meadowood:

Verity by Doeki on Flickr.

Mixed Media
7 x 5
Catherine L. Mommsen
2011

Linen, canvas, gauze, muslin, handmade beads, acrylic, ink, embroidery, beading.

benita-loca:
Jung Yul Park, a pojagi artist and master of traditional Korean embroidery.
Mrs. Park’s considerable accomplishments extend to the beginning of her career in the late 1960’s in Korea. For years she taught traditional Korean embroidery and maintained her own design studio. Along with Park’s studio experience, she also lectured at nationally sponsored conventions and researched Traditional Palace Costumes of the Chosun Dynasty, which was funded by Korea’s National Cultural Committee. She also curated annual textile exhibitions in Seoul.
In 1991 Mrs. Park emigrated to the United States and subsequently established her own studio, Kyu Jang Gak, whose aim is to promote traditional Korean embroidery and needlework through instructional classes and exhibitions. For more information on Mrs. Park and her work, please info@unasu.com

benita-loca:

Jung Yul Park, a pojagi artist and master of traditional Korean embroidery.

Mrs. Park’s considerable accomplishments extend to the beginning of her career in the late 1960’s in Korea. For years she taught traditional Korean embroidery and maintained her own design studio. Along with Park’s studio experience, she also lectured at nationally sponsored conventions and researched Traditional Palace Costumes of the Chosun Dynasty, which was funded by Korea’s National Cultural Committee. She also curated annual textile exhibitions in Seoul.

In 1991 Mrs. Park emigrated to the United States and subsequently established her own studio, Kyu Jang Gak, whose aim is to promote traditional Korean embroidery and needlework through instructional classes and exhibitions. For more information on Mrs. Park and her work, please info@unasu.com

from Alabama Chanin

from Alabama Chanin

(Source: alabamachanin)

morna:

Four Square: Hay / Wheat / Rye / Barley 
by Dorothy Caldwell
Date made: 1994-1995Materials: wax resist and discharged cotton with stitching, applique, gold leaf; hand quiltedMeasurements: 96 x 98 in.; 243.8 x 248.9 cm

morna:

Four Square: Hay / Wheat / Rye / Barley 

by Dorothy Caldwell

Date made: 1994-1995
Materials: wax resist and discharged cotton with stitching, applique, gold leaf; hand quilted
Measurements: 96 x 98 in.; 243.8 x 248.9 cm

my old dress
by Bourbon Princess (milica stefanovic)

my old dress

by Bourbon Princess (milica stefanovic)

(via elfotografoinvidente)


Sheer Cascade
[by Alfonso Ohnur for Harpers Bazaar Spain June 2010]

Sheer Cascade

[by Alfonso Ohnur for Harpers Bazaar Spain June 2010]

(Source: everlytrue, via wholesomescraps2)

detail from Valentino gown…tiny pearls

detail from Valentino gown…tiny pearls

(via ovulous)

the full-on beaded version…’June’s Spring’
by Alabama Chanin
The June’s Spring pattern is highlighted in Chapter 8 of our upcoming Alabama Studio Sewing + Design, entitled “Fabric + Fabric Maps.” It is gorgeous when used for simple embroidery or in the full-on beaded version.

the full-on beaded version…’June’s Spring’

by Alabama Chanin

The June’s Spring pattern is highlighted in Chapter 8 of our upcoming Alabama Studio Sewing + Design, entitled “Fabric + Fabric Maps.” It is gorgeous when used for simple embroidery or in the full-on beaded version.

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