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Sweetpea Path

...another place to wander around Welcome to my virtual notebook, a place for keeping some things I don't want to forget... A visual wall of inspiration for thought gathering. My heartfelt thanks to all who have contributed here, for this notebook would be empty without you.

Posts tagged antique clothing:

Mantua and petticoat, made in UK 1740-1745
Silk, embroidered with colored silk and metal thread
This ensemble of mantua and petticoat exemplifies court dress, the most formal of English 18th century clothing. Court dress was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. The embroidered skirt is open-fronted, and would have had extensive folds and pleats to flow into a long train at the back. The embroidered petticoat would have been visible at the front. It would have fastened at the back and been worn over large square hoops.
courtesy V&A Museum, Gt. Britain

Mantua and petticoat, made in UK 1740-1745

Silk, embroidered with colored silk and metal thread

This ensemble of mantua and petticoat exemplifies court dress, the most formal of English 18th century clothing. Court dress was an exclusive and very ornate style of clothing worn by the aristocracy, the only people usually invited to attend at Court. 

The embroidered skirt is open-fronted, and would have had extensive folds and pleats to flow into a long train at the back. The embroidered petticoat would have been visible at the front. It would have fastened at the back and been worn over large square hoops.

courtesy V&A Museum, Gt. Britain

Bag, made 1700-1800, China
Embroidered silk
Bag made from embroidered Chinese silk and edged with metallic European lace; it has pale green ribbon ties attached at either side. The bag was made up in Europe, perhaps originally as a bourse which is a small flat bag used as part of the Christian Mass. However, the green ribbons seem to be for secular use and so this bag might have had several lives.
courtesy V&A Museum, Gt. Britain

Bag, made 1700-1800, China

Embroidered silk

Bag made from embroidered Chinese silk and edged with metallic European lace; it has pale green ribbon ties attached at either side. The bag was made up in Europe, perhaps originally as a bourse which is a small flat bag used as part of the Christian Mass. However, the green ribbons seem to be for secular use and so this bag might have had several lives.

courtesy V&A Museum, Gt. Britain

Waistcoat (detail), 1780-1789
Silk, silver thread, silver-gilt spangles, glass beads; hand-sewn and hand-embroidered
By the 1780s, such elaborate embroidery was only worn at court in England. The coat and breeches that accompanied this waistcoat have not survived, but portraiture of the period suggests a white silk woven with silver thread or midnight blue velvet might have completed a handsome ensemble.
Courtesy V&A Museum, Gt. Britain

Waistcoat (detail), 1780-1789

Silk, silver thread, silver-gilt spangles, glass beads; hand-sewn and hand-embroidered

By the 1780s, such elaborate embroidery was only worn at court in England. The coat and breeches that accompanied this waistcoat have not survived, but portraiture of the period suggests a white silk woven with silver thread or midnight blue velvet might have completed a handsome ensemble.

Courtesy V&A Museum, Gt. Britain

whitehotel:

Evening wrap (1904)
probably made in France: silk taffeta, decorated with ruched silk

Striking sunflowers decorate this eau-de-nil evening wrap. They were popular motifs with decorative artists in late 19th and early 20th century, particularly within the Aesthetic Movement. These sunflowers are made up of petals couched in white cotton thread surrounding a centre of tightly ruched taffeta. They are mainly concentrated around the hem, although a few flowers adorn the bodice and smaller versions bloom on the shoulders.
Pastel colours combined with textured decoration were particularly fashionable in the early 1900s. Lady Fairhaven wore this wrap in the summer, probably as an elegant addition to her evening dress.
Courtesy V&A Museum, Gt. Britain

whitehotel:

Evening wrap (1904)

probably made in France: silk taffeta, decorated with ruched silk

Striking sunflowers decorate this eau-de-nil evening wrap. They were popular motifs with decorative artists in late 19th and early 20th century, particularly within the Aesthetic Movement. These sunflowers are made up of petals couched in white cotton thread surrounding a centre of tightly ruched taffeta. They are mainly concentrated around the hem, although a few flowers adorn the bodice and smaller versions bloom on the shoulders.

Pastel colours combined with textured decoration were particularly fashionable in the early 1900s. Lady Fairhaven wore this wrap in the summer, probably as an elegant addition to her evening dress.

Courtesy V&A Museum, Gt. Britain

(via beverleyshiller)

historicalfashion:

historiful:

Detail of a moiré silk-overlayaid and machine lace-trimmed skirt, lined with satin. Designer unknown, c. 1885.

“May Littledale (née Primrose) wore this romantic ball gown shortly after her marriage to Henry Littledale in 1885. Unfortunately she did not have long to enjoy it as she died in a riding accident the following year…
During this period drapery was often composed of separate pieces mounted onto the foundation skirt rather than being formed by the cut of the skirt. Here, a small cushion sewn into the back of the waist and a stiffened lining pulled into shape by tapes help the skirt project behind while remaining flat in front…”
(Source: Victoria & Albert Museum Collections)


Gorgeous detail!

historicalfashion:

historiful:

Detail of a moiré silk-overlayaid and machine lace-trimmed skirt, lined with satin. Designer unknown, c. 1885.

May Littledale (née Primrose) wore this romantic ball gown shortly after her marriage to Henry Littledale in 1885. Unfortunately she did not have long to enjoy it as she died in a riding accident the following year…

During this period drapery was often composed of separate pieces mounted onto the foundation skirt rather than being formed by the cut of the skirt. Here, a small cushion sewn into the back of the waist and a stiffened lining pulled into shape by tapes help the skirt project behind while remaining flat in front…”

(Source: Victoria & Albert Museum Collections)

Gorgeous detail!

(via ladylimoges)

Historical use of red dye, made from the cochineal bug (thank you, Ornamented Being!)

ornamentedbeing:

You might be wondering why the Velasquez girl (actually her name is  Queen Maria Anna of Spain) is on your screen wearing a red dress. She’s creepy right?  Well because 1) She’s the Queen of Spain and 2) that is a red dress.

I bet you didn’t know that in the Aztec world red dye was more valuble than any gold.  The bright red colorant required the labor of hundreds of subjects combing the desert in search of its source - the female cochineal beetle. A pound of water-soluble extract required about a million insects. (By comparison, back in the days of the Roman Empire, a pound of royal purple dye required four million mollusks.) 

When Cortez and his minions arrived in the New World not only did they find gold and silver, they found red. Cochineal red was the strongest dye ever created and a colour no one could duplicate. Now the Spanish became the leaders in the dye industry. Everyone wanted the colour. 

 Most Europeans thought it was extracted from berries or cereals because the dried insects looked like grains of wheat. This misconception was promoted by the Spanish, who had launched a brutal cover-up of the dye making process as soon as they realized cochineal’s potential. 

 For almost 300 years, they perpetuated the notion that “dyed in the grain” was their special process for this permanent dye that never faded. And that’s the source of the English term “ingrained.”  Europeans used it for fabrics and illumination in addition to cooking. In the years that followed, Michelangelo used it in paintings, the British for redcoats and the Canadians for their Mounted Police coats. It is thought that the first U.S. flag made by Betsy Ross had cochineal red stripes.

In the sixteenth century, Venice became the most important trading center for red. While Venetian businessmen sent it on to the Middle East, to be used for carpets and fabrics, Venetian women demanded a reserve to be kept for their own use. In around 1700, according to Jan Morros in her book Venice, there were just 2,508 nuns in that city and 11,654 prostitutes. No wonder there was a market for rouge.

 Today, less expensive aniline dyes have replaced it, but it is used as a food coloring and is approved by the FDA as a natural colorant for food, drug and cosmetics. In fact, some brands of fruit juice use this red bug juice as a colorant.

-Color Matter Factoids

-The Bug that Changed History by Jeff Behan

-Victoria Finlay excerpted from her book: Color: A Natural History of the Palette

ornamentedbeing:

Fear not! Your eyes do not deceive you, I am indeed posting a mans costume. 
 
Metropolitan Museum of Art - Costume Institute
ca. 1580, European
Mediumsilk, metallic thread, brass
DimensionsLength at CB: 22 3/4 in. (57.8 cm)
Credit LineCatherine Breyer Van Bomel Foundation Fund, 1978
Accession Number1978.128

ornamentedbeing:

Fear not! Your eyes do not deceive you, I am indeed posting a mans costume. 

Metropolitan Museum of Art - Costume Institute

ca. 1580, European

Medium
silk, metallic thread, brass

Dimensions
Length at CB: 22 3/4 in. (57.8 cm)

Credit Line
Catherine Breyer Van Bomel Foundation Fund, 1978

Accession Number
1978.128

bluebirdsfloat:

Edwardian shear cotton tea apron.

bluebirdsfloat:

Edwardian shear cotton tea apron.

(Source: itscontemporary, via crochet)

whattheywore:

French stays, 1730-1740

whattheywore:

French stays, 1730-1740

(via tumbleword)

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